Music can be studied from a wide variety of perspectives. We ‘study’ music by reading, listening, performing and composing. We investigate, through analysis, the relationships between the various parts of the composition. We use documentary evidence to explore how reliable and authoritative a score is and how to perform it. We investigate the various uses of music to see how a musical work (or repertory or style) has been shaped over time, and how it might differ from that of earlier ages or of different cultures.
Music at Oxford
- Music has been part of the life of Oxford for more than 800 years.
- 30 academic staff – scholars with distinguished reputations as musicologists, performers or composers.
- Numerous visiting speakers and professional performing ensembles.
- Students enjoy performance and composition workshops, and play an active part in the life of their colleges – in chapels, orchestras, ensembles, bands and stage performances.
- The faculty building incorporates practice rooms, electronic music and recording studios, and probably one of the best music libraries in a British university. The world-famous Bate Collection of Musical Instruments, housed in the faculty, lends historical instruments to students.
- The course is broadly based but allows increasing specialisation and choice as you proceed. Performance and composition are prominent, but you can concentrate on other areas such as history or analysis.
- Students graduate as mature and well-rounded musicians with an informed and lively sense of the contemporary study and practice of the subject.
Teaching, performance and arts administration are among the more popular destinations for Music graduates, but others include broadcasting, publishing, law, politics and the Civil Service. Many students undertake further study in performance, often at conservatoires in the UK and abroad.
After graduating, Fabienne secured a marketing and public relations internship with the Philharmonia Orchestra. She then worked for the Royal Philharmonic Orchestra and London Symphony Orchestra before being headhunted for her current role as Head of Communications and Marketing at Intermusica, an industry-leading international classical music management agency. She says; ‘Our roster includes Marin Alsop, Sir John Eliot Gardiner, Daniil Trifonov, Sir Willard White, James MacMillan, Leonidas Kavakos and many others. Naturally my music degree has proved an extremely helpful foundation for a career in classical music management but, I would say that the most important thing I gained from Oxford was confidence and resilience and being able to meet people from all walks of life.’
A typical weekly timetable
- Four to six lectures a week
- One or two tutorials in college
- Practice, workshops and rehearsals
- More time for independent study in the summer terms.
Six subjects are taken (one chosen from a list of options)
Three written papers and one ‘take-away’ paper, a practical examination and a recital/portfolio of compositions/essay
|2nd and 3rd years|
Eight subjects are taken (six chosen from a list of options)
Final University examinations: Three or more written papers and a combination of take-away papers, portfolio submissions, recitals and practical tests, depending on the options chosen
The content and format of this course may change in some circumstances. Read further information about potential course changes.
- A-levels: AAA
- Advanced Highers: AA/AAB
- IB: 38 (including core points) with 666 at HL
- Or any other equivalent (see other UK qualifications, and international qualifications)
Candidates are expected to have Music to A-level, Advanced Higher, Higher Level in the IB or another equivalent. Keyboard ability of ABRSM Grade V or above is also highly recommended. We expect you to have taken and passed any practical component in your chosen science subjects.
Oxford University is committed to recruiting the best and brightest students from all backgrounds. We offer a generous package of financial support to Home/EU students from lower-income households. (UK nationals living in the UK are usually Home students.) Fees and living costs information for 2018 entrants will be published on this page from September 2017.
These annual fees are for full-time students who begin this undergraduate course here in 2017.
Total annual fees
& Isle of Man)
EU applicants should refer to our dedicated webpage for details of the implications of the UK’s plans to leave the European Union.
Living costs for the academic year starting in 2017 are estimated to be between £1,002 and £1,471 for each month you are in Oxford. Our academic year is made up of three eight-week terms, so you would not usually need to be in Oxford for much more than six months of the year but may wish to budget over a nine-month period to ensure you also have sufficient funds during the holidays to meet essential costs. For further details please visit our living costs webpage.
A full loan is available from the UK government to cover tuition fees for Home (UK)/EU students undertaking their first undergraduate degree*, so you don’t need to pay your tuition fees up front.
In 2017 Oxford is offering one of the most generous bursary packages of any UK university to those on a family income of £42,875 or less, with additional opportunities available to those from households with incomes of £16,000 or less. This support is available in addition to the government living costs support. See further details.
Islands students are entitled to different support to that of students from the rest of the UK.
Please refer the links below for information on the support to you available from your funding agency:
Please refer to the "Other Scholarships" section of our Oxford support page.
*If you have studied at undergraduate level before and completed your course, you will be classed as an Equivalent or Lower Qualification student (ELQ) and won’t be eligible to receive government or Oxford funding
Additional Fees and Charges Information for Music
Students may choose to have instrumental or voice tuition as part of their course, though please note that performance is not compulsory. With advice from your tutors, you can choose your own instrumental tutors. You will need to pay for these lessons yourself, but the money will be refunded by the Music Faculty at the end of term, up to £225. This usually covers the full cost of tuition.
Students can also apply to take part in a Faculty-funded scheme with the Royal Academy of Music, which provides 8 hourly lessons and participation in master-classes and performance classes at the RAM.
All candidates must follow the application procedure as shown in applying to Oxford. The information below gives specific details for students applying for this course.
There is no written test, but candidates who are invited to interview in Oxford will be asked to give a performance of a prepared piece on the candidate’s principal instrument or voice (organists, percussionists and candidates requiring an accompanist should inform the faculty in advance of the interview period).
Candidates not possessing keyboard fluency to ABRSM Grade V may be asked to take a standardised keyboard sight-reading test at interview. Please indicate your level of keyboard proficiency on your UCAS application. Some tutors may ask you to study a short piece of music and/or text about music in preparation for your interview; if so, this material will be given to you during your stay in Oxford.
You will need to submit written work by Friday 10 November 2017 when applying for this course. Please send the following:
- Two pieces of teacher-marked written work, at least one of which should normally be on music. The emphasis in on quality of thought, not on quantity: c. 1500 words per essay is entirely sufficient;
- and one or two examples of teacher-marked harmony and counterpoint (eg Baroque chorale, 16th century counterpoint, 2-part invention, string quartet, Romantic songs);
- and, if you wish, one or two short examples of original composition, which should be in some form of notated score.
Please print on only one side of the paper. For more information, and to download a cover sheet, please see our further guidance on the submission of written work.
What are tutors looking for?
Potential to engage with the undergraduate course through a genuine spirit of enquiry and keenness to think critically about music.
Candidates may wish to refer to the selection criteria for Music.
Please refer to this recommended reading list.
Watch a series of short videos of students talking about some aspect of their time at Oxford.
'The Oxford music course suits me because it is broad and varied, but also has lots of space to make it my own. For my final exams I am sitting papers in broad aspects of music history (from English renaissance polyphony to electronic music), analysis, and issues to do with how we study music but I am also writing a dissertation about the music in a primary school near Oxford, essays on Brazilian music, and a report from the term I spent working on a music project with children with autism. I have friends who are playing the Rite of Spring for piano duet for a chamber music exam, who are singing Schubert Lieder for a solo recital, and who are analysing Bach organ fugues for an analysis portfolio - and those are just the people in my year in my college! If you are passionate about music, and keen to explore the subject from many different angles, there will be something in the Oxford course for you.'
'From playing for three evensongs a week to being immersed in the sound world of the Bosavi Rainforest people in Papua New Guinea, Oxford has been a fantastic experience so far. One aspect of Oxford’s music course that first attracted me was the diversity and the choice it gives students, particularly in the final year.
I am currently studying a variety of history topics, ranging from the 13th-century motet to film music, along with some composition and analysis courses. I want to be a performer and knowing that I can choose to concentrate on this later in the course has helped me to focus my interests throughout the term.'
Andrew, who graduated in 2006
He is now the Assistant Director of Music at King Edward VI School in Stratford-upon-Avon. He says:
‘Since graduating I have been involved in professional music-making and education. I’m currently combining teaching music with working on educational research. The experiences afforded by an Oxford education and participation in student societies around my course have enabled me to be seen, in post-Oxford life, as a safe pair of hands, both in terms of academic issues and administrative matters. This means I have been able to gain responsibilities in the areas of education management and school governance fairly early on in my career.’
The Key Information Sets provide a lot of numbers about the Oxford experience – but there is so much about what you get here that numbers can’t convey. It’s not just the quantity of the Oxford education that you need to consider, there is also the quality – let us tell you more.
Oxford’s tutorial system
Regular tutorials, which are the responsibility of the colleges, are the focal point of teaching and learning at Oxford. The tutorial system is one of the most distinctive features of an Oxford education: it ensures that students work closely with tutors throughout their undergraduate careers, and offers a learning experience which is second to none.
A typical tutorial is a one-hour meeting between a tutor and one, two, or three students to discuss reading and written work that the students have prepared in advance. It gives students the chance to interact directly with tutors, to engage with them in debate, to exchange ideas and argue, to ask questions, and of course to learn through the discussion of the prepared work. Many tutors are world-leaders in their fields of research, and Oxford undergraduates frequently learn of new discoveries before they are published.
Each student also receives teaching in a variety of other ways, depending on the course. This will include lectures and classes, and may include laboratory work and fieldwork. But the tutorial is the place where all the elements of the course come together and make sense. Meeting regularly with the same tutor – often weekly throughout the term – ensures a high level of individual attention and enables the process of learning and teaching to take place in the context of a student’s individual needs.
The tutorial system also offers the sustained commitment of one or more senior academics – as college tutors – to each student’s progress. It helps students to grow in confidence, to develop their skills in analysis and persuasive argument, and to flourish as independent learners and thinkers.
The benefits of the college system
- Every Oxford student is a member of a college. The college system is at the heart of the Oxford experience, giving students the benefits of belonging to both a large and internationally renowned university and a much smaller, interdisciplinary, college community.
- Each college brings together academics, undergraduate and postgraduate students, and college staff. The college gives its members the chance to be part of a close and friendly community made up of both leading academics and students from different subjects, year groups, cultures and countries. The relatively small size of each college means that it is easy to make friends and contribute to college life. There is a sense of belonging, which can be harder to achieve in a larger setting, and a supportive environment for study and all sorts of other activities.
- Colleges organise tutorial teaching for their undergraduates, and one or more college tutors will oversee and guide each student’s progress throughout his or her career at Oxford. The college system fosters a sense of community between tutors and students, and among students themselves, allowing for close and supportive personal attention to each student’s academic development.
It is the norm that undergraduates live in college accommodation in their first year, and in many cases they will continue to be accommodated by their college for the majority or the entire duration of their course. Colleges invest heavily in providing an extensive range of services for their students, and as well as accommodation colleges provide food, library and IT resources, sports facilities and clubs, drama and music, social spaces and societies, access to travel or project grants, and extensive welfare support. For students the college often becomes the hub of their social, sporting and cultural life.