Features
Oxford University's Voltaire Foundation has formed a new and surprising partnership.
Their ambitious project to publish the Complete Works of Voltaire is now being supported by LVMH Moët Hennessy, Louis Vuitton and Bernard Arnault, its Chairman and CEO.
The global luxury goods brand will donate a substantial amount over the next three years to support the Voltaire Foundation as it researches and publishes the final volumes in the Complete Works of Voltaire.
The 18th-century French writer Voltaire is an iconic figure in European culture, and his thinking about freedom of expression and religious tolerance lies at the heart of Western liberal democracy.
The Complete Works is the most ambitious project in French literature currently being undertaken outside France. It aims to publish all of Voltaire’s writings with expert commentary alongside the texts. When the project is completed in 2019, it will amount to more than 200 volumes.
The next edition to be published includes key Voltaire texts such as Micromegas, a science-fiction tale about a planet-hopping giant’s visit to our world which Voltaire uses as a commentary on the society in which he lived, and man’s place in the universe.
Professor Nicholas Cronk, Director of the Voltaire Foundation at Oxford University, said: 'We are very appreciative of this supportive endorsement from such a well-known French company whose high-profile, iconic brands match the world-class cultural aspirations of our ambitious project.
'When the Complete Works of Voltaire is published in its entirety, it will change fundamentally the way we think about the Enlightenment and the importance of the Enlightenment in the modern world.'
Bernard Arnault, Chairman & CEO of the LVMH Group, said: 'The driving force for the LVMH Group’s success is based on extracting value from a unique heritage and stimulating modern day creativity and excellence.
'The unprecedented project carried out by the Voltaire Foundation to publish the complete works of Voltaire follows a similar path as it aims to make available and to promote one of the most outstanding thinkers of the 18th century, to enlighten our times. It is with pride and gratitude to the Oxford University that we embark on this adventure.'
Many scientists may dream of receiving royal recognition for services to their field, but for Professor Paul Smith, director of Oxford University Museum of Natural History, it is reality. In early January he was awarded the prestigious Polar Medal by Her Majesty the Queen, in recognition of his “outstanding achievement” in the field of Arctic research.
As a palaeontologist and polar scientist, with extensive expertise working in the high Arctic, Professor Smith has over thirty years’ geological experience, particularly in Greenland. His research has informed understanding of some of the world’s most uninhabited, little known regions. His achievements include being part of the team that created the first geological maps of the northern Greenland.
ScienceBlog sat down with Professor Smith to get his reaction to winning the award and to learn more about his career.
Congratulations on this spectacular honour, where were you when you found out you had won?
I was sitting on a delayed train, on the way home, just before Christmas, when I received an email that I had won. It made a long, uninspiring journey a lot more memorable.
Picture credit: Professor Paul Smith
With the exception of glacial deposits, much of the Arctic landscape is exposed rock, which makes it a big attraction for geologists.
Why did you decide to specialise in Arctic research?
As a geologist and a keen climber and hillwalker interested in remote areas you could say it was a natural fit. But it was my first trip to Greenland that sealed the deal. I had just completed my PhD, when I was invited for the first time on a large-scale expedition, creating a geological map of the furthest north part of Greenland. A dream opportunity.
For those that haven’t yet had the pleasure of experiencing the polar-regions, Greenland is a landscape unlike any I have ever seen before. Unspoilt, mountainous and spectacular.
We worked remotely, in teams of two, completely isolated from the rest of the group. We would be taken by helicopter, to a remote location where we would conduct all of our mapping. Then a week later, the helicopter would return with fresh food and take us further on to map the next area, and so on.
There were twelve pairs of geologists scattered across northern Greenland, so although we were working in isolation we all kept in touch via radio, for safety and lively evening banter.
Professor Paul Smith, director of Oxford University Museum of Natural History and Arctic scientistAbout 15 years ago I was involved in a highly complicated piece of geology, on the north eastern tip of Greenland. There had been a number of unsuccessful attempts to unravel the work, but my colleague and I wanted to achieve it ourselves. The bulk of the work was conducted on foot, but the helicopter was always on hand for support if needed. Over two summers we mapped an area around the size of Wales. I know that is the standard measure of land area, but it really was about the size of Wales. To this day I still consider this project one my proudest scientific achievements.
In terms of more recent work, can you tell us a little about researching the Cambrian explosion and why it has such high geological importance?
Most recently and throughout my career, I have been working collaboratively on a special locality, right above the north coast – about 500 miles from the North Pole. Here fossils are exceptionally preserved, which means geologists are not just working from shells or skeletons, but also the muscle tissues and soft tissues that aren’t normally preserved. The region is about 530 million years old, and at a point in time when most of the major groups of animals begin to appear in the fossil record.
This is an event called the Cambrian Explosion. Being able to attack a really fundamental scientific problem in a place that is so special, is very enjoyable as well as being hard work.
What is your fondest Arctic memory?
It has to be those occasions where you capture the perfect golden light in the Arctic. Photographers worldwide talk about the “golden moment.” Just as the sun’s setting, you get five minutes of really stunning light, just before the sun dips below the horizon. But in the far north, the sun never dips below the horizon, so on a nice day, the landscape is bathed in this golden light, for hour, after hour. Often, from eight o’clock at night, through to four in the morning you get to enjoy this glorious, perpetual sunset that never quite goes away. A great photo opportunity, but in my opinion, nothing compares to just sitting peacefully and absorbing it, with a small glass of whisky in hand.
Do you have any polar expeditions planned for the future?
We want to explore an area half way up the east coast of Greenland, where an ancient mountain belt called the Caledonides is well-exposed. It is a deep section through an ancient continent-continent collision zone and we are just in the planning stages of an expedition that we hope to undertake in 2019.
What is the significance of the Caledonides?
One of Greenland’s key geological features is that around 420 million years ago it had a mountain belt that was on the scale of the Himalayas, but it has now been eroded down to its roots. This level of erosion tells us about mountain belt activity, specifically how they grow and the way that they collapse.
The belt was formed by ancient North America colliding with ancient Scandinavia, and runs from the northern tip of Greenland, across the Atlantic, to Scotland, and then back across the Atlantic to the eastern cost of North America. We want to study the point where the mountain belt disappears off the shore of Greenland, to reappear next in North West Scotland. For geologists it is the missing link between the East Greenland and Scottish Caledonides.
Why is Arctic research so important in today’s world?
It is many fold really, and would inspire different answers from different scientists. For glaciologists and those interested in climate change, it is because climate change is currently at its most exaggerated in polar areas. I have been going to the Arctic for thirty years and have seen rapid polar melting at first hand. It is happening, and it shows no signs of slowing down.
Whereas, for geologists and people in my discipline, it is slightly different, the exposed rock is the real attraction. In the arctic we are not hindered by vegetation. There are of course areas covered with glacial deposits, but other than that, there is just the expanse of exposed rock that you just don’t get at lower latitudes. The far north has perfect “outcrop”, as we call it.
If you could have been a part of any scientific discovery from history, which would it be?
We have been exploring the far north since the 19th century, but even now, we get that very rare experience of walking on ground that we know no other human being has walked on before. But to have been a part of those original teams, seeing the entire landscape for the first time, must have been really special. There is one particular explorer, William Scoresby, a whaler who made the first scientific descriptions of northeast Greenland. Each year he would venture further and further north, trying to beat his previous record, constantly finding new terrain and new science. That is pretty special.
What is next for you?
A combination of organising the next expedition, researching the Cambrian explosion and of course, running this great museum (Oxford University Natural History Museum).
Do you have a personal favourite exhibit in the museum?
All museum artefacts have the power to tell stories, but very few can tell as many exceptional stories as the Dodo. Which has not only informed understanding of bird evolution, but also human induced extinctions, early trade routes and European exploration, and the creation of early natural history museums. Add to that a visit in 1860 from a certain Lewis Carrol and a little girl called Alice, and the Dodo has earned iconic status, crossing cultures, generations and the world.
What would you like your scientific legacy to be?
Someone who pushed forward a scientific understanding of Greenland and the Cambrian Explosion.
Climate change is currently at its most exaggerated in polar areas and having worked in the Arctic for thirty years, Professor Smith has witnessed rapid polar melting at first hand. Of the experience he said: "It is happening, and it shows no signs of slowing down."Image credit: Professor Paul Smith
Academics in The Oxford Research Centre in the Humanities’ (TORCH) Race and Resistance Programme will host a discussion about the cultural value of hip hop this month.
On Friday 17th February, TORCH will host a lecture by Marcyliena Morgan, who is a professor from Harvard University’s Hiphop Archive and Research Institute.
‘The Hiphop Archive’s focus, which includes projects like analysing the poetic quality of 2Pac’s lyrics to understanding the post-civil rights dimension of Outkast’s Southern rap, demonstrates that hip hop is a source of artistic innovation and enjoyment on its own terms, while also providing us with insight into the cultural, social, and political conditions that have shaped recent times,’ says Louisa Olufsen Layne, a DPhil student in English at Oxford University.
‘Hip hop as a musical and global cultural form forces us to think critically about what we define as valuable knowledge, who we recognise as knowledge producers, and how knowledge can be created and shared. The study and archiving of hip hop encourages us to recognise how contemporary forms influence our view of the present as well as our understanding of the past.’
Harvard’s Hiphop Archive was established in 2002, and its mission is to facilitate and encourage the pursuit of knowledge, art, culture, and responsible leadership through hip hop.
Some of the questions that might be covered during the talk include: Why do universities need to archive and research contemporary popular culture? How can the study of hip hop foster new understandings of cultural value and knowledge in academia?
What kind of knowledge can be exchanged between researchers of hip hop in the US and institutions in the UK working with hip hop, British rap and grime? How can we think comparatively about similar projects and initiatives in the UK?
Hip hop is not a new subject of study in Oxford. Jason Stanyek, Associate Professor of Ethnomusicology in the Faculty of Music, has taught a course on global hip hop to first-year undergraduates since 2012, reaching almost 400 students.
The TORCH event takes place at 2.30pm on Friday 17 February at St Luke’s Chapel on Oxford University’s Radcliffe Observatory Quarter. Anyone can attend, but prior booking is required.
In the meantime, here is Hey Ya! by Outkast...
Bernard Naughton and Dr David Brindley from Oxford University’s Saïd Business School and Medical Sciences Division discuss the problems of identifying fake, substandard and expired medicines.
Pharmaceuticals are critical to our society, supporting patient health and an innovative industrial sector. Research and development (R&D) by leading pharmaceutical companies totals hundreds of billions of pounds globally each year. These extraordinarily high development risks contribute to the sometimes high reimbursement costs of medicines. Therefore, it comes as no surprise, that as with most large and lucrative industries it attracts its share of bootleggers.
Counterfeit medicines are becoming a serious concern worldwide, and have increasingly been appearing through the legitimate pharmaceutical supply chain, including community and online pharmacies. This not only poses a health threat to the public but also to the balance sheets of pharmaceutical companies.
The Pharmaceutical Security Institute report that between 2011 and 2015 the global incidence of drug counterfeiting has increased by 51%, with 2015 seeing the highest levels of counterfeiting to date - a 38% increase when compared with 2014. In the UK supply chain alone, 11 cases of fake medicines were detected between 2001 and 2011.
These products vary immensely - fake medicines may be contaminated, contain the wrong or no active ingredient, or could contain the right active ingredient at the wrong dose. In any of these scenarios, patient safety is compromised.
There are a variety of methods currently used to detect counterfeit medicines, including laboratory-based methods and SMS texting. The detection of counterfeit medicines by customs officials usually occurs as a result of intelligence or random checks, after which suspect medicines are sent away for laboratory-based analysis. Advancing technology has made a variety of techniques available which include spectroscopy, chromatography, SMS, handheld or portable laboratories, radiofrequency identification and serialisation.
The recent advent of the EU Falsified Medicines Directive (FMD) mandates that all prescription medicines are serialised, verified and authenticated from February 2019 in all member states. Serialisation is the process of identifying a medicine with a unique code printed onto the medicines pack and verification is the process for identifying and checking that code. The term ‘authentication’ relates to the final scanning of a medicine and the subsequent decommissioning of a product at the point of supply to the patient to ensure authenticity.
In our own recent study, published in BMJ Open, we tested the effectiveness of a medicines authentication technology in detecting counterfeit, recalled and expired medicines within a large UK hospital setting. More than 4,000 serialised medicines were entered into a hospital dispensary over two separate 8-week stages in 2015, and medicines were authenticated using secure external database cross-checking, triggered by the scanning of a 12-digit serial code. In this instance, 4% of medicines included were pre-programmed with a message to identify the product as either expired, pack recalled, product recalled or counterfeit.
We found that the operational detection rate of counterfeit, recalled and expired medicines scanned as a combined group was between 81.4% and 87%. While the technology's technical detection rate was 100%, not all medicines were scanned, and of those that were scanned not all that generated a warning message were quarantined. Owing to an operational authentication rate of 66.3%, only 31.8% of counterfeit medicines, 58% of recalled drugs and 64% of expired medicines were detected as a proportion of those entered into the study.
The detection of medicines was largely effective from a technical perspective; however, operational implementation in a complex environment such as a secondary care pharmacy can be challenging.
The study highlighted significant quality and safety issues with this detection approach. There is a need for further research to establish the reasons for less than absolute authentication and detection rates in the hospital environment to improve this technology in preparation for the incumbent EU (2019) and US (2023) regulative deadlines.
In order to safeguard patients against potentially dangerous pharmaceuticals, it’s clear that we need to find an iron-clad detection system to filter out fake and expired products. It will also be vital to address the implementation approach to this technology whilst educating those who will use the system effectively and efficiently.
While we can’t stop the production of fake medicines, we can and must safeguard patients from them.
The full paper, ‘Effectiveness of medicines authentication technology to detect counterfeit, recalled and expired medicines: a two-stage quantitative secondary care study,’ can be read in the journal BMJ Open.
We would like to thank Prof. Stephen Chapman (Keele University), Prof. Sue Dopson (Saïd Business School) and Dr. Lindsey Roberts (Oxford Academic Health Science Network) for their support in this collaboration.
If you don't have the energy to mark Burns Night by going to a ceilidh or cooking haggis, neeps and tatties, Arts Blog has a suggestion for how to mark the day.
We asked Fiona Stafford, Professor of English Language at Literature at Oxford University, to suggest a Robert Burns poem to share with our readers.
She picked ‘To A Louse, On Seeing One on a Lady’s Bonnet at Church’ - and here it is.
'Burns speaks to modern readers very directly because his observations of humanity still ring true, while at the same time a relatively simple poem often turns out to have numerous layers and hidden jokes,’ she says.
‘In 'To a Louse', the speaker is riveted by the steady progress of the louse he spots in the very elaborate and highly fashionable bonnet of a young lady who is evidently hoping to make an impression.
‘As the poem continues, it becomes clear that the joke is not just on the young lady, who is unaware of her little visitor, but also on the speaker, who is much more interested in the young lady (and, indeed, where the louse may be heading) than in the service, not to mention the minister, who doesn't even merit a mention and thus seems to be commanding the attention of no one.
‘The famous concluding prayer - 'To see oursels as others see us' - arises naturally from the situation, and reads as a common-sense reflection, but there is a further joke in that it's adapted from the contemporary moral philosophy of Adam Smith.
‘The speaker who has been addressing the louse in broad Scots turns out to be very well read and up to date in his thinking.'
Professor Stafford is currently interested in Burns and the natural world. Her latest book, ‘The Long, Long Life of Trees’, was published by Yale University Press last year. She has found that Burns has a real affinity to nature.
‘As a farmer, we might expect Burns to have had a fairly practical attitude to the land, but many of his poems reveal a sensitivity to the beauty of the local landscape and wildlife, as well as a rare ability to sympathise with non-human perspectives on the planet,’ says Professor Stafford.
‘Burns is one of the first poets to show concern over the clearance of woodlands by contemporary landowners and to influence attitudes by speaking up in verse for the plantation of indigenous trees. He was, in this way, an early voice for the environment and his enormous popularity and stature as Caledonia's Bard meant that his views carried weight.’
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