Features

A mural of a baker giving out bread

The Ashmolean's 2019 exhibition explored ancient Pompeii. The exhibition has closed, but conservators continue to uncover the hidden histories of 37 previously untouched objects.

After a fascinating morning in the Ashmolean’s conservation labs, I find myself wandering through the Last Supper in Pompeii exhibition. Viewing the many wonderful exhibits with a renewed wonder for the conservation work that’s gone into them, my eye is drawn to a statue of Apollo towards the end.

It’s a gorgeous bronze piece, but this time that’s not the principle reason for my interest. The label tells me that it was later adapted for use as a tray holder during meals. For a moment, I ponder what the famously capricious deity would make of having his statue modified in such a way.

But for the most part, I’m caught by how it found a second life at the banquet table.

This is perhaps the biggest thing I took away from my visit to the labs. The Ashmolean was given 37 items from the Pompeii Archaeological Park’s archive. None of these had been outside Pompeii or seen significant conservation work before. As such, this represents a unique collaboration. And each object, especially those which have seen lots of practical use, tells a story.

Image from the conservation labs

Conservation Manager Alexandra Baldwin was kind enough to talk me through the various techniques used to analyse and conserve these objects. This is how they fight back to keep items in the best state possible. It’s also how they tease out the details that help us map each object’s journey.

Spread out on the tables in the lab are various copper pots, bowls, jugs and other vessels. Alexandra tells me that finds like these are quite rare. Due to the intrinsic value of metal, such items wouldn’t be thrown away, but sold second hand, repaired, reused and eventually melted down and remade.

But it’s exactly this long and varied lifespan that makes these objects so interesting.

There are two places you tend to find metal objects like this. The first is sites of ritual deposition, like burials. The second is places that have been struck by sudden catastrophe.

It’s only in those sites of catastrophe like Pompeii and Herculaneum that we find items that were still in use. So each nugget of information uncovered about these objects – from dents to organic residue to location found – tells a bit more of a story.

Take, for example, one of the especially fine pieces they’ve restored for the exhibition: a copper bowl with an intricate ram’s head handle and delicate silver inlay. To my untrained eye, the handle carving especially is gorgeous. This ‘patera’ was likely used for ritual hand-washing.

Slowly and painstakingly, Alexandra clearing away the detritus of the years with the help of delicate surgeon’s tools and binocular microscope. Alexandra and colleague Stephanie Ward (Objects Conservator) told me that as the fine details emerged, it became clear this was one of the finest pieces they’d seen.

Which is actually a little odd, given all these objects were excavated from one of Pompeii’s backstreet taverns. Hardly the venue you’d expect to find a well-crafted piece like this.

Looking over the maps of Pompeii, Alexandra pointed out landmarks like main roads, temples and the amphitheatre. It’s just round the corner from this site of various state-sponsored games and gladiatorial matches that the tavern is located. With a spacious garden, even including a small vineyard, it seems like it would have been a very pleasant location to pass an afternoon eating with friends. Given most ordinary Pompeiians wouldn’t have had their own full kitchens, take-away and dining out would have been a pretty regular part of their diets. So, how did such a fine piece end up in a run-of-the-mill eatery?

Further analysis (including x-rays) revealed the dents and damage the bowl had sustained. You might expect a bowl from Pompeii to be a bit worse for wear, but these were marks from before the eruption of Vesuvius. Given this clue, it seemed that this piece had probably been previously owned by a noble household, then damaged and sold on. Eventually, it made its way to this downhill tavern to be used by a multitude of regular citizens.

When the objects arrived in Oxford in several bright blue packing crates, the conservation team thought it would be a relatively straightforward job. They certainly weren’t expecting the various surprises and discoveries that their analysis would reveal about the many ordinary lives these objects touched.

Perhaps the biggest surprise was a bowl which, due to its shape, would usually be assumed to be used for ceremonial hand-washing. But during the cleaning process, Conservator Miriam Orsini found strange shapes embodied in the bottom. They looked, perhaps, like insects. None of the conservation team were insect experts, but thankfully the University of Oxford museums are filled with a wide variety of experts.

An entomologist from the Natural History Museum was called in: they identified the remains as common fly larvae and rove beetles.

The bowl on which these remains were found.

Insects like these wouldn’t have been interested as water; they’re attracted to protein. So the team could determine that this bowl would have been used for raw meat or fish. Perhaps a scrap bowl or a mixing bowl of some kind? Another example of something that likely served multiple uses over time, each of which unearths another piece of lives that – if not for Pompeii – we’d know very little about.

Walking around the exhibition after seeing the labs, this sense of exhibits as holding secret stories felt incredibly pronounced. A lot of them feel full of personality. There’s the branded murals and fish sauce bottles from one of Pompeii’s nouveau riche fish sauce (‘garum’) barons, clearly keen to show off his humble beginnings. Devotive offerings found in kitchen shrines (close to the hearth that was the centre of the home) also seem to whisper about ancient hopes and prayers.

Amidst the case that contains many of the newly conserved items, we can also see one jar left in the state in which it was excavated. It’s crusted with pumice that grows off the rim like a rocky fungus, and coated with a light blue sheen of volcanic-formed Lapili. It’s a stark contrast to the other pieces, delicately restored to their distinctive copper-tarnished surfaces.

A pot, left un-restored displaying rocky deposits and lazuli patina

A video nearby illustrates some of the work in the labs that I was privileged to have explained to me. We see, for example, how x-rays revealed the various repairs the vessels had undergone. Some had clearly been fixed up by skilled craftspeople with thin copper strips, riveted on. Others had crude repairs of melted lead poured over cracks. Again and again, these vessels were used and re-used, a constant part of the practical lives of Pompeiians.

So perhaps it’s appropriate that they’re being used here, again, as part of an exhibition that highlights the relationship between a people and their food.

And there’s still more analysis underway. Many of the objects still had traces of organic material (partly thanks to the copper they’re made out of, which kills bacteria). In another collaboration, the Oxford Archaeology and Chemistry departments are currently working together to find out what that can tell us.

Once the exhibition ends (after the last day tomorrow, 11 January), still more work will be done with x-ray and other techniques. It seems this partnership with the Parco Archeologico di Pompei, with funding for the conservation work supported by the Stockman Family Foundation and the Helen Roll Charity, has more secrets to uncover.

Coming up next for the conservation labs at the Ashmolean will be some work on their Ancient Near East collection. Among other techniques, this project will use hyperspectral imaging to uncover more about ancient objects from sites such as Ur and Nimrud. While it’s too early to say what will be discovered, they are hoping that such analysis could (for example) tell us more about the pigments and colours which would have decorated ivory and carved figures, and stone reliefs, bringing a bit of colour back into history…

Chinese Traditional Medicine

By Amy Hinsley

Promoted as a 21st century version of the ancient Silk Roads, China’s Belt & Road Initiative (BRI) aims to improve global connectivity and change the shape of international trade. The multi-billion-dollar project will link China with countries in Southeast and Central Asia, East Africa, Europe and beyond, building a network that will include almost two thirds of the world’s population.

From a conservation and sustainability perspective, the roads, railways and ports that form the land ‘belts’ and marine ‘roads’ of the BRI have received some attention but the aim to expand Traditional Chinese Medicine to the world has not. This may be a serious oversight, as products used in TCM are derived from plant, animal and fungal ingredients, many of which are wild-sourced. This means that rapidly growing markets could put pressure on species harvested legally to supply them, and may even lead to an increase in illegal trade to supply informal markets. However, it also brings opportunities for well-managed sustainable trade, which can bring significant benefits to people in poor, rural communities with few other livelihood options.

In our new paper in Nature Sustainability, we evaluate the potential risks and opportunities of Traditional Chinese Medicine expansion via the BRI with a focus on developing strategies for well-managed, sustainable wildlife trade chains. We outline four steps to achieve this and highlight the importance of Chinese leadership in this process, which aligns with the country’s goals of a green BRI. Countries including Nepal, Portugal, Poland and Zimbabwe have shown interest in working with China on developing these medicinal markets, and this diversity of countries will mean that risks and opportunities will vary greatly. The first step is therefore to work with cross-sector stakeholders in different countries to understand how Traditional Chinese Medicine markets will grow, and how this might affect supply of products made from wild species. This evidence base should then be used to develop targeted sustainability strategies, and identify priority species for which illegal and unsustainable trade may become a threat. Finally, species that can be sustainably sourced should be identified, with a focus on species and areas that present an opportunity for both conservation and poverty alleviation.

As the BRI enters its seventh year China is reaching out to more countries to cooperate on the marketing, registration and promotion of Traditional Chinese Medicine products. There is now a critical short-term window for the identification of potential risks and opportunities, to ensure that sustainability is built into these markets from the start.

BEHIND THE RESEARCH

Chinese traditional medicine tradeChinese traditional medicine trade
We first became interested in the possible environmental and social implications of TCM expansion to BRI countries in 2018. Several of the paper’s authors were in Jilin province collecting data on the use of TCM products, as part of a collaborative project on TCM sustainability led by China’s National Forestry and Grassland Authority, IUCN, University of Oxford and Sun Yat-sen University. That week we had been reading in Chinese State media about the great opportunities that the BRI would bring for the expansion of demand and supply for the TCM industry, and were surprised this was not being discussed more widely for its potential implications for wildlife trade. We decided to look into this further, especially how China’s commitment to greening the BRI could play a role in making TCM trade more sustainable. Further, we firmly believe that as well as risks there would be opportunities for sustainable trade, if they could be identified.

Whilst our conservation experience working on wildlife trade issues allowed us to consider in detail the potential risks that might arise from better connectivity and increased demand for TCM products, it was clear that to create meaningful impact we must get buy-in from relevant stakeholders. We secured an opportunistic meeting with representatives of the Chinese Association of TCM (CATCM) in Beijing, who work with the TCM industry, including on BRI expansion. Following discussions with CATCM we established that there was interest in developing more sustainable TCM supply-chains in BRI countries. However, we also established that the situation was going to be highly complex, with both supply and demand of TCM products likely to vary greatly between different countries and regions.

We invited authors from different disciplines and sectors to help develop a strategy for sustainability that could account for the complexity of BRI TCM markets. Our final author team includes academics and practitioners working on wildlife trade, livelihoods, and sustainable supply-chains for medicinal plants, as well as a policy-maker in China with experience of working on TCM and conservation. This collaboration resulted in a paper that lays out a realistic, four-step strategy for understanding the risks of BRI TCM and turning them into opportunities for sustainability. As the BRI enters its seventh year China is reaching out to more countries to cooperate on the marketing, registration and promotion of TCM products. There is now a critical short-term window for the identification of potential risks and opportunities, to ensure that sustainability is built into these markets from the start.

The paper is available in both English and Chinese language versions.

Gaz Coombes
Just in time for Christmas...
 
An EP has been released of a collaboration between an internationally-known musician and students, professors and alumni of the Faculty of Music.
 
The EP is a live recording of Gaz Coombes' charity concert at the Sheldonian Theatre earlier this year. All proceeds from the record release will be donated to local charities.

The concert in May 2019 saw Gaz and his band perform a bespoke set with the 42-piece ‘Hot Fruit Orchestra’, made up of students, professors and alumni of the Oxford University Faculty of Music. The Hot Fruit Orchestra was a ‘scratch orchestra’ – none of the musicians had played together before.
 
Speaking of the collaboration, Gaz said: "It was such a seat of the pants performance on the night, but that's how I like it...that's when strange and magic things happen. We only had a couple of run throughs on the day with arranger Luke Lewis, the orchestra. I felt we were all playing on instinct, propelling each other forward. In that setting, with the lights and orchestra, It kind of felt like Christmas...in May."

The response from the players and the audience was equally as enthusiastic. Professor Gascia Ouzounian, who performed at the concert, said: "This was an extraordinary opportunity for students and staff from the Faculty of Music to play alongside Gaz Coombes, one of the world’s finest singer-songwriters, in the Sheldonian, an historic building, with gorgeous orchestral arrangements by composer Luke Lewis.
 
"The concert not only raised funds for two very worthwhile causes, but it did so in style: every person in the hall felt the power and beauty of Gaz’s music, which he played to perfection and which was taken to new heights through Luke’s imaginative arrangements. A memorable night."

DPhil student and performer Patrick Brennan said: "I really enjoyed the fusion that took place in the Sheldonian that evening - the chance to play my violin at an orchestral desk, but accompanied by guitars, drums, synthesisers, and of course Gaz Coombes’ sensational vocals."
 
The concert celebrated the 350th anniversary of the iconic Sheldonian Theatre, designed by Christopher Wren, and raised £7,500 for two local charities: The Young Women’s Music Project and Yellow Submarine. 

The venue was provided for free as part of the Sheldonian Theatre Curators' 350th Anniversary Community Engagement Scheme - a way of allowing the community and different groups of people to access the historic building. 
 
The Sheldonian Live EP, mixed by the Faculty of Music’s Studio Manager, Dan Hulme, gives audiences the chance to hear much loved songs with a new aesthetic. The EP is available to stream and download on all major digital platforms and is out on vinyl this Friday through Caroline International. 

Track listing for ‘Sheldonian Live EP’:
1) The Girl Who Fell To Earth (Sheldonian Live)
2) The Oaks (Sheldonian Live)
3) Walk The Walk (Sheldonian Live)
4) Slow Motion Life (Sheldonian Live)
New insights into our multi-millenia battle with malaria

George Busby of Oxford University's Big Data Institute discusses his team's research into human genetic resistance to malaria and humanity's age-old struggle against the disease.

Humans have long been thwarted by ‘the fever’. References to malaria’s infamous febricity are found across antiquity, from writings by the four thousand-year-old Vedic sages of ancient India to the Greek physician Hippocrates. But the disease, caused by a group of parasites belonging to the Plasmodium genus, has troubled our ancestors and close relatives for much longer. A range of malaria species infect apes, monkeys and birds across the tropical world and we now know that about 50,000 years ago the ancestors of Plasmodium falciparum, the parasite responsible for most of the current human burden of the disease, transformed from infecting gorillas to parasites that can infect us.

This means that throughout our history, wherever the ecological conditions have been able to support the mosquitoes that transmit the disease (including the marshes of Kent well into the 19th Century) we’ve been accompanied by the blood parasite which many believe to be one of the largest killers of people in human history. Reports of malaria killing half of the people who have ever lived are likely to be wide of the mark, however.

Given this shared history, you might expect humans to have evolved ways to neutralise the devastating impact of malaria. In evolutionary terms, the stakes are high - falciparum malaria is most deadly in young children - so there is a clear advantage to adapting to beat the parasite. And, because evolution works with new mutations in DNA that cause genes to work in new and different ways, adaptations that gave our ancestors one up against the parasites should be found across the human genome.

One such adaptation was discovered in the 1950 when Anthony Allison observed that there tended to be more people with sickle cell trait in malarial areas than places without the disease. Perhaps, he thought, because sickle cell trait affects the function of people’s blood cells, it afforded some sort of protection against malaria parasites, which thrive by infecting their host’s blood cells. This idea was a development of the ‘Malaria Hypothesis’, invented in 1948 by famed geneticist JBS Haldane, which proposed that certain human traits, particularly those involving blood groups, rise to high frequencies in some populations because they protect people from malaria. The relationship between sickle cell and malaria was soon confirmed when children in Uganda with sickle cell trait were shown to have fewer malaria parasites in their blood than those without the trait. Sickle cell trait is now known to be caused by a single letter change in the genetic code and is the canonical example of human evolution to infectious disease.

Epidemiological research over the intervening years has provided further evidence of human adaptation to malaria. But to go further and investigate the impact of malaria on our DNA requires large well curated datasets of DNA from across the tropics. And, because much of the burden of malaria is in Africa, whose populations are among the most genetically diverse on earth, we also need to think carefully about the statistical approaches that can tease out the real genetic signals from background variation.

Addressing old problems with new data

Big datasets and statistical methods have recently become available thanks to large long-term international collaborative efforts. One such collaboration is the Malaria Genomic Epidemiology Network (MalariaGEN), a global network of malaria researchers that have worked together over the last 20 years to build the largest dataset of human genomes yet assembled for malaria research.

In a new paper using data from over 17,000 people from nine African countries, Vietnam and Papua New Guinea, we explored the extent to which adaptation to malaria has left footprints in the human genome. We used a method called Genome Wide Association Study (GWAS) which compares the DNA of people who have suffered from severe malaria with a control set of people who did not have the disease. The concept of a GWAS is straightforward: you scan these two groups of genomes to look for systematic differences in the genetic code between the malaria cases and the population controls. In practice though this is incredibly difficult as there are many places in the genome where these two groups might differ for reasons that have nothing to do with malaria. Nevertheless, with appropriate care, it is possible to identify regions of the genome where such differences occur, and these provide evidence of association with malaria susceptibility and hint that they might have played a role in evolution against malaria.

Blood cell evolution

Our GWAS found five regions of the genome with convincing evidence of association with malaria. Encouragingly, four of these regions contained genes involved with blood cell formation and function, which one might expect given that this is where the parasites attack. The most compelling case for genetic association with malaria is the gene controlling sickle cell trait, mentioned above. Individuals with this trait were up to ten times less likely to get malaria than those without. We found further evidence of protection from malaria at the gene that controls the main human ABO blood groups. Our analysis supports previous work that has shown that being blood group O in Africa offers some protection from severe malaria. But this association is complex, and strangely, you are at a greater risk of contracting severe malaria in Papua New Guinea with this blood group. Our analysis also corroborated our recent discovery that the individual’s carrying the Dantu blood group are protected from malaria. This blood group is rare however, and currently mainly found in people from East Africa, particularly Kenya.

Whilst we are confident that all five of these regions are associated with malaria, together they only account for about 10% of the genetic contribution to malaria susceptibility. Given the size of the dataset this a conundrum: it suggests that although we know that there are more genetic variants that influence an individual’s malaria susceptibility, we don’t know what they are. One possibility is that malaria susceptibility is controlled by many genetic variants spread across the whole genome, each with a small individual effect. This so-called polygenic model of adaptation is increasingly being used to explain predisposition to a number of diseases, and although our method is less good at picking up these types of signal, it’s an avenue for future work. Another possibility is that variation in especially complex regions of the genome, that are hard to access using our current data, is involved. Finally, it’s also possible that the parasite has itself evolved to overcome human adaptation in an evolutionary arms race. Parasites and humans may have been adapted to each other in slightly different ways in different parts of the world, so the mutations that help against the parasite in East Africa might not be so helpful in West Africa. Future work is planned to explore the fascinating idea of human-parasite coevolution.

So, have the loci we've discovered been driven to high frequency by natural selection, as Haldane suggested? Well yes and no. We found that these variants are systematically more likely to be found in individuals from sub-Saharan Africa than from regions where malaria has been less prevalent, showing how the genomes of Africans have been shaped through millennia of onslaught from the malaria parasite. But the variants themselves are quite different to each other, with some being very rare except in specific geographical locations, and some found at high frequency all over the globe. This suggests that further factors might be at play. Our paper highlights the potential advances in understanding that large, coordinated data sharing networks can provide in the battle against this most ancient foe.

The full paper, 'Insights into malaria susceptibility using genome-wide data on 17,000 individuals from Africa, Asia and Oceania,' can be read in Nature Communications.

silence bodleian

Convocation House hosted a rather unique hour-long concert last month. It included works from Joseph Haydn, Arvo Part, Nils Frahm, Philip Glass and Peteris Vasks. The most singular thing about it? Four of the pieces were completely silent…

The concert was the brain child of the Silence Hub, a research group in The Oxford Research Centre in the Humanities (TORCH). The trio at the Hub's heart are Professor Kate McLoughlin of the Faculty of English, Dr Willem Kuyken, Ritblat Professor of Mindfulness and Psychological Science, and Dr Suzan Meryem Rosita Kalayci of the Faculty of History.

The event they organised brought members of the SCANJ string quartet together with cellist Jacqueline Josephine. As Professor Kate McLoughlin said afterwards, 'I hoped to put on a unique programme in which the audience would be confronted by performances of silence by people who are used to playing in public.'

'They usually perform music, of course,' she added.

The performers rose to the challenge of performing the silent pieces alongside more traditional music (though the pieces chosen were still quiet, contemplative or contained meaningful pauses). One attendee, Sarah Bedford, said: 'Particularly notable were the parts where the musicians did not "play" anything, and yet were performing the piece and sat with full attention on performing through the silence.'

Sarah was also complimentary of Dr Kuyken’s contribution in guiding the audience through the event. As Professor of Mindfulness and Psychological Science, he was well equipped to use his expertise to foster that sense of peace and contemplation. Sarah added this was especially helpful as 'having the questions from the research team like "what words does 'silence' conjure up for you?" meant that you were able to mull that over in the quietness, rather than letting your thoughts wander to other things.'

Feedback was gathered from the audience, with about two thirds responding positively. Professor McLoughlin hoped the event would 'create an event of silence, quietness and peacefulness that would help people enter a calm, reflective mood'. And many did report a sense of tranquillity that came with the event.

A debrief was also held the day after with a few audience members. Dr Suzan Meryem Rosita Kalayci said this was her favourite part. 'The conversations that emerge are really valuable,' she said. 'One audience member said something about silence being an unoccupied space, a threshold of some sort. That struck a chord with me.'

Each member of the Silence Hub approaches the concept of silence from a different angle. Dr Kalayci has studied the role of silence in the history of the Eastern Mediterranean. Her research informs some of the Hub's future activities, with the Hilary Term featuring events on the theme Silence & Syria.

'I have lived in Syria for many years, so the theme is very close to my heart,' she said. 'There is a lot to be said, especially about our silence on the war in Syria. I think silence is a very powerful tool of protest because, like a full stop at the end of a sentence, it offers the chance of a new thought.'

There are already plans in development for an essay competition for young adults in Arabic, English and Kurdish; a pop-up library with books about Syria and talks by writers from Syria; a book of collected essays about Syria; and a collaboration with the artist Erkan Özgen.

The Syria events will also include poetry readings, relating to Professor McLoughlin’s work on the role of silence in literature, which also links into silence in conflict. Her last book was 'about the figure of the war veteran in literature and culture - what philosophical ideas he stands for in literary works - and the last chapter was about veterans who can't or won't speak about the wars they have been in.'

By interspersing poetry with contemplative silence, the readings should raise questions about some of Professor McLoughlin's key ideas that she’s also exploring in a book about silence in literature: 'First, what are we talking about when we talk about silence (in other words, what does silence mean)? And second, why is silence so powerful?'

For more details of news and future events, keep an eye on the Silence Hub’s website.