About the course
The MSt in Film Aesthetics equips you with the skills and knowledge necessary for analysing film as an art form. It concentrates on film criticism, detailed film analysis, film theory and film-philosophy and teaches the history and the contemporary developments in the scholarly literature relating to these aspects. It encourages thoughtful and imaginative engagement with film as a medium and with individual films.
The MSt in Film Aesthetics is degree in the humanities run jointly by the faculties of Modern Languages, English, and Philosophy.
The course concentrates on film from the point of view of aesthetics, focusing on:
- the detailed study of film style and form, and the articulation of it in writing - for example, narrative structure, use of camera, colour, performance, sound, music, editing and composition;
- matters of philosophical aesthetics, and their particular application to film such as value and evaluation, appreciation, ontology, medium, intention, expression, meaning/interpretation, creativity, beauty, metaphor, symbolism, fiction, storytelling, convention, stylistic groupings and histories, emotion, imagination, and the relation between ethics, morality and aesthetics; and
- classic and contemporary film theory and film-philosophy as they relate to film aesthetics: film specificity, spectatorship, modernism, phenomenology, affect, and the work of film philosophers such as Hugo Munsterberg, Rudolph Arnheim, Gilles Deleuze and Stanley Cavell.
Many master's programmes concentrate on historical, cultural, geographical, or political approaches to film and may only contain an aesthetic component. This programme is dedicated to the specialist study of film aesthetics.
The course runs from late September to June, from two weeks before the first term to the end of the last term.
Two weeks before term officially begins, you will attend a practical film workshop for one week. Although the degree itself is not practical, this week acts as an introduction to film techniques and allows the group to work with each other before the degree begins. This part of the course is not assessed.
In the first two terms the course is taught by seminar only, although there will be individual meetings with tutors to discuss essay preparation and feedback. In the third term the course is taught by individual supervision.
The first term of the course will look at the analysis of film style and film form, train techniques of film analysis and look at key concepts in film form, film criticism, film theory and film-philosophy.
The second term consists of four short segments, each covering a particular aesthetic topic. This part of the course provides you with the opportunity to engage with four different areas of specialisation.
The topics for the second term change from year to year but may include:
- film and phenomenology
- aesthetics of Italian cinema
- spaces of American cinema (eg the invaded home)
- film music
- film and modernism
- contemporary theories of spectatorship - embodiment, ethics and politics
- the film-philosophy of Stanley Cavell
- colour in contemporary Chinese cinema
In both the first two terms there will be four different modules each lasting four seminars (eight modules in total across the terms). In both these terms there will be two seminars per week. Seminars vary in length depending on the module (90 minutes to three hours). In the third term there will be individual tutorial supervision of the dissertation. You will be expected to read quite extensively for seminars and supervisions, and also view films. All the staff involved in delivering the course have doctoral degrees (most are at professorial or associate professorial level), in many cases are leaders in their fields and have extensive experience of teaching their area of film studies.
Assessment is by two 6,000-word essays, one 3,000-word essay and a 10, 000-word dissertation. The dissertation, written in the final term, provides an opportunity to work with a tutor in your chosen area of specialisation.
The analytical skills taught in the course are applicable in a wide range of jobs concerned with film and visual media, for example film programming, film reviewing, film production, design and teaching. The course is especially suitable as a foundation for further scholarly research into film.
Changes to the course
The University will seek to deliver this course in accordance with the description set out in this course page. However, there may be situations in which it is desirable or necessary for the University to make changes in course provision, either before or after registration. For further information, please see our page on changes to courses.
Entry requirements for entry in 2016-17
Within equal opportunities principles and legislation, applications will be assessed in the light of an applicant’s ability to meet the following entry requirements:
1. Academic ability
Proven and potential academic excellence
Applicants are normally expected to be predicted or have achieved a first-class or strong upper second-class undergraduate degree with honours (or equivalent international qualifications), as a minimum, in the humanities, fine art or social sciences. A formal background in film studies is not a requirement, and many successful applicants do not have a film studies degree; however, high achievement in the field of film studies is desirable.
For applicants with a degree from the USA, the minimum GPA sought is 3.7 out of 4.0.
If you hold non-UK qualifications and wish to check how your qualifications match these requirements, you can contact the National Recognition Information Centre for the United Kingdom (UK NARIC).
You should also show an interest in, and if possible a knowledge of, aesthetics, and more specifically the aesthetics of film.
No Graduate Record Examination (GRE) or GMAT scores are sought.
Other appropriate indicators will include:
References/letters of recommendation
Your references will support intellectual ability, academic achievement, motivation, suitability for the specific degree.
Academic references are strongly recommended, although one professional reference out of the three is also acceptable.
Written work produced by the student
You should provide two relevant academic essays or other writing samples from your most recent qualification of 2,000 words each, or 2,000-word extracts of longer work. Writing samples should be in English.
This will be assessed for the ability to analyse/close read a text or artwork, and/or the ability to theorise/philosophise about aesthetic issues; good understanding of the subject area; ability to construct an defend an argument; powers of analysis; and powers of expression.
The written work need not relate to film, but show abilities to discuss ideas or texts in detail. Extra-curricular essays on film, written especially for the application, are accepted but at least one specialist piece of work from your degree, even if not related to film, is strongly encouraged.
Statement of purpose/personal statement
The personal statement should be no more than two pages in length and written in English.
This will be assessed for your reasons for applying; evidence of motivation for and understanding of the proposed area of study; the ability to present a reasoned case in English.
You should go beyond expressing an enthusiasm for film and be as specific as possible about your desire to study film in an academic context. It is also very important that you should be specific about why you wish to study film from an aesthetic point of view as distinct from other approaches to film study.
Performance at interview(s)
Interviews are not normally held as part of the admissions process.
Publications are not expected
2. English language requirement
Applicants whose first language is not English are usually required to provide evidence of proficiency in English at the higher level required by the University.
3. Availability of supervision, teaching, facilities and places
The following factors will govern whether candidates can be offered places:
- The ability of the Faculty of Medieval and Modern Languages, in conjunction with the Faculty of English and Faculty of Philosophy, to provide the appropriate supervision, research opportunities, teaching and facilities for your chosen area of work.
- Minimum and maximum limits to the numbers of students who may be admitted to Oxford's research and taught programmes.
The provision of supervision, where required, is subject to the following points:
- The allocation of graduate supervision is the responsibility of the Faculty of Medieval and Modern Languages, in conjunction with the Faculty of English and Faculty of Philosophy, and it is not always possible to accommodate the preferences of incoming graduate students to work with a particular member of staff.
- Under exceptional circumstances a supervisor may be found outside the Faculties of Medieval and Modern Languages, English and Philosophy,.
Where possible your academic supervisor will not change for the duration of your course, however it may be necessary to assign a new academic supervisor during the course of study or before registration for reasons which might include sabbatical leave, maternity leave or change in employment.
4. Disability, health conditions and specific learning difficulties
Students are selected for admission without regard to gender, marital or civil partnership status, disability, race, nationality, ethnic origin, religion or belief, sexual orientation, age or social background.
Decisions on admission are based solely on the individual academic merits of each candidate and the application of the entry requirements appropriate to the course.
Further information on how these matters are supported during the admissions process is available in our guidance for applicants with disabilities.
All recommendations to admit a student involve the judgment of at least two members of academic staff with relevant experience and expertise, and additionally must be approved by the Director of Graduate Studies or Admissions Committee (or equivalent departmental persons or bodies).
Admissions panels or committees will always include at least one member of academic staff who has undertaken appropriate training.
6. Other information
Whether you have yet secured funding is not taken into consideration in the decision to make an initial offer of a place, but please note that the initial offer of a place will not be confirmed until you have completed a Financial Declaration.
Opportunities for exchange are provided by the interdisciplinary communities fostered within individual colleges, which also offer you dedicated support by means of personal advisors. The Oxford Centre for Research in the Humanities (TORCH) offers a stimulating range of interdisciplinary activities. History graduates are also encouraged to join the Oxford History Graduate Network (OGHN), which fosters friendships, conversations and collaboration.
The Oxford environment provides a unique opportunity to develop intellectual curiosity whilst remaining focused on one’s own work without becoming blinkered - an integral part of a successful graduate career.
The two main Bodleian Libraries Film Studies collections of books, journals and films are at the Taylor Institution Library and the English Faculty Library, with additional film studies books and periodical accommodated in the main Bodleian and its off-site book storage facility. The film collections are predominantly DVDs: currently the collection stands at approximately 7,500 films. All the DVDs from the major labels are acquired - Master's of Cinema, Criterion, Second Run, Artificial Eye. In 2012, the Taylor Library opened a new viewing room for watching films, accommodating around six viewers and equipped with a flat screen television and Blu-ray player. There is also now a small designated area where film students can gather, sit and read the latest journals.
There are over 1,000 full graduate scholarships available for courses starting in 2016-17. Full scholarships will cover your course and college fees and provide a grant for living costs. Information about the full range of funding available can be found in the Fees and funding section.
For over 70% of Oxford scholarships, nothing more than the standard course application is usually required. If you fulfil the eligibility criteria and apply by the relevant January deadline, you will be automatically considered. Use the Fees, funding and scholarship search to find out whether you are eligible for scholarships which require an additional application. If you are, the tool will include links to full details of how to apply.
Divisional funding opportunities
The University is proud to have been awarded a Doctoral Training Partnership, funded by the Arts and Humanities Research Council, for the period 2014-19. Worth £14 million, this award will support at least 200 doctoral students and a number of master’s students in a range of arts and humanities disciplines. It adds to the existing range of postgraduate scholarships in the humanities, including the Ertegun Scholarship Programme, which creates a unique setting that fosters dialogue across academic disciplines, cultures and generations.
Departmental funding opportunities
Additional funding opportunities may also be offered by your department. Department scholarships are included in the funding search tool, with links to further information. More details on funding opportunities may also be available on the department’s website.
Annual fees for entry in 2016-17
Total annual fees
The fees shown above are the annual tuition and college fees for this course for entry in the stated academic year; for courses lasting longer than one year, please be aware that fees will usually increase annually. For details, please see our guidance on likely increases to fees and charges.
Tuition and college fees are payable each year for the duration of your fee liability (your fee liability is the length of time for which you are required to pay tuition and college fees).
For more information about tuition fees, college fees and fee liability, please see the Fees section of this website. EU applicants should refer to our dedicated webpage for details on the impact of the result of the UK referendum on its membership of the European Union.
There are no compulsory elements of this course that entail additional costs beyond fees and living costs. However, as part of your course requirements, you may need to choose a dissertation, a project or a thesis topic. Please note that, depending on your choice of topic and the research required to complete it, you may incur additional expenses, such as travel expenses, research expenses, and field trips. You will need to meet these additional costs, although you may be able to apply for small grants from your department and/or college to help you cover some of these expenses.
In addition to your tuition and college fees, you will need to ensure that you have adequate funds to support your living costs for the duration of your course.
For the 2016-17 academic year, the range of likely living costs is between £970 and £1433 for each month spent in Oxford. Full information, including a breakdown of likely living costs in Oxford for items such as food, accommodation and study costs, is available on our Living costs page.
The following colleges accept students on the MSt in Film Aesthetics:
- Campion Hall
- Exeter College
- Keble College
- Kellogg College
- Lady Margaret Hall
- Magdalen College
- Pembroke College
- Regent's Park College
- St Anne's College
- St Antony's College
- St Catherine's College
- St Edmund Hall
- St Hilda's College
- St Hugh's College
- St John's College
- Somerville College
- Wadham College
- Wolfson College
- Worcester College
You are not expected to make contact with an academic member of staff prior to submitting your application.
The set of materials you should send with an application to this MSt comprises:
- a statement of purpose/personal statement, of no more than two pages in length
- a CV/résumé
- three references
- official transcripts detailing your university-level qualifications and marks to date
- two relevant academic essays or other writing samples from your most recent qualification of 2,000 words each, or 2,000-word extracts of longer work.
Your personal statement should go beyond expressing an enthusiasm for film and be as specific as possible about your desire to study film in an academic context and from an aesthetic point of view, as distinct from other approaches to film study.
Academic references are strongly recommended, although one professional reference out of the three is also acceptable.
Whilst you must register three referees, the department may start the assessment of your application if two of the three references are submitted by the course deadline and your application is otherwise complete. Please note that you may still be required to ensure your third referee supplies a reference for consideration.
The written work need not relate to film; it will be assessed for the ability to analyse/close read a text or artwork, and/or the ability to theorise/philosophise about aesthetic issues. Extra curricular essays on film written especially for the application are accepted, but at least one specialist piece of work from your degree, even if not related to film, is strongly encouraged.